I spend my days in Sapporo working with leather—not because it is efficient, but because it is honest. I’ve spent years training under a Japanese master to learn the discipline of the hand, and I combine that with the heritage of oak-bark leathers from my home in Britain. My goal here isn't to sell you something you’ll replace in a year; it’s to offer a quiet alternative to the digital noise. Whether it’s the rugged resilience of English bridle or the soft, wild grain of local Ezo deer, everything here is made one stitch at a time, meant to be held, used, and carried through a real life.